{"id":2460,"date":"2026-09-12T14:03:42","date_gmt":"2026-09-12T17:03:42","guid":{"rendered":"https:\/\/revistainteirada.com\/interamusic\/?p=2460"},"modified":"2026-09-12T14:05:43","modified_gmt":"2026-09-12T17:05:43","slug":"orquestra-petrobras-sinfonica-estreia-requiem-dedicado-aos-povos-guarani-kaiowa","status":"publish","type":"post","link":"https:\/\/revistainteirada.com\/interamusic\/2026\/09\/12\/orquestra-petrobras-sinfonica-estreia-requiem-dedicado-aos-povos-guarani-kaiowa\/","title":{"rendered":"Orquestra Petrobras Sinf\u00f4nica estreia R\u00e9quiem dedicado aos povos Guarani-Kaiow\u00e1"},"content":{"rendered":"
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\n \t<\/i> Read Time:<\/span>2 Minute, 42 Second <\/div>\n\n <\/div>\n

A m\u00fasica de concerto brasileira abre espa\u00e7o para uma obra que transforma a tradi\u00e7\u00e3o do r\u00e9quiem em instrumento de mem\u00f3ria, den\u00fancia e reflex\u00e3o sobre os povos origin\u00e1rios. A Orquestra Petrobras Sinf\u00f4nica realiza, em 15 de setembro, no Theatro Municipal do Rio de Janeiro, a estreia mundial de \u201cR\u00e9quiem Guaran\u00ed-Ka\u00edow\u00e1, Op. 33\u201d, do compositor brasileiro Cyro Maur\u00edcio Delvizio, com libreto de Gabriel Neves Camargo.<\/p>\n\n\n\n

Sob reg\u00eancia do maestro Felipe Prazeres, o concerto reunir\u00e1 mais de cem m\u00fasicos e ter\u00e1 a participa\u00e7\u00e3o dos solistas Michele Menezes, soprano; Noeli Mello, mezzo-soprano; Guilherme Moreira, tenor; e David Monteiro, baixo. Tamb\u00e9m integram a apresenta\u00e7\u00e3o o Coral Brasil Ensemble-UFRJ e o Coral Infantojuvenil da UFRJ, ambos sob dire\u00e7\u00e3o de Maria Jos\u00e9 Chevitarese.<\/p>\n\n\n\n

Com cerca de 70 minutos de dura\u00e7\u00e3o, o trabalho parte de uma forma profundamente associada \u00e0 tradi\u00e7\u00e3o da m\u00fasica sacra ocidental para desloc\u00e1-la em dire\u00e7\u00e3o a uma experi\u00eancia brasileira contempor\u00e2nea. Em vez de utilizar a liturgia latina tradicional, Delvizio constr\u00f3i um libreto original em portugu\u00eas, incorporando termos da l\u00edngua Guarani e refer\u00eancias ligadas \u00e0 cosmologia e \u00e0 experi\u00eancia dos povos origin\u00e1rios.<\/p>\n\n\n\n

O resultado \u00e9 uma composi\u00e7\u00e3o dedicada aos Guarani-Kaiow\u00e1 e aos povos brasileiros nativos, atravessada por temas como ancestralidade, territ\u00f3rio, perda, resist\u00eancia e rela\u00e7\u00e3o com a natureza. A pr\u00f3pria estrutura da obra preserva refer\u00eancias do repert\u00f3rio lit\u00fargico \u2014 com movimentos como \u201cKyrie\u201d, \u201cCredo\u201d, \u201cDies Irae\u201d, \u201cOfert\u00f3rio\u201d, \u201cSanto\u201d, \u201cAgnus Dei\u201d e \u201cIn Paradisum\u201d \u2014 enquanto incorpora elementos ligados ao universo ind\u00edgena.<\/p>\n\n\n\n

A dimens\u00e3o visual tamb\u00e9m faz parte da constru\u00e7\u00e3o do espet\u00e1culo. Durante a apresenta\u00e7\u00e3o, ser\u00e3o projetadas fotografias em preto e branco realizadas pelos fotojornalistas Ana Mendes e Pablo Albarenga durante visitas a comunidades Guarani-Kaiow\u00e1. A imagem, portanto, n\u00e3o aparece apenas como ilustra\u00e7\u00e3o: passa a integrar a experi\u00eancia de escuta e a aproximar o p\u00fablico da realidade que deu origem \u00e0 obra.<\/p>\n\n\n\n

Segundo Cyro Delvizio, o projeto levou quase uma d\u00e9cada at\u00e9 chegar ao palco. O compositor afirma que, durante esse intervalo, as circunst\u00e2ncias que motivaram a cria\u00e7\u00e3o da pe\u00e7a n\u00e3o deixaram de existir \u2014 raz\u00e3o pela qual o r\u00e9quiem chega \u00e0 cena tamb\u00e9m como uma convoca\u00e7\u00e3o \u00e0 reflex\u00e3o sobre a rela\u00e7\u00e3o da sociedade brasileira com os povos ind\u00edgenas e com a natureza.<\/p>\n\n\n\n

A escolha do r\u00e9quiem como forma art\u00edstica acrescenta uma camada simb\u00f3lica \u00e0 proposta. Historicamente associado \u00e0 morte e \u00e0 mem\u00f3ria dos mortos, o g\u00eanero ganha aqui uma dimens\u00e3o coletiva: lembrar n\u00e3o apenas indiv\u00edduos, mas hist\u00f3rias, territ\u00f3rios, culturas e vidas ind\u00edgenas atravessadas por conflitos e perdas.<\/p>\n\n\n\n

A estreia tamb\u00e9m reafirma uma das caracter\u00edsticas da trajet\u00f3ria da Orquestra Petrobras Sinf\u00f4nica: aproximar a tradi\u00e7\u00e3o sinf\u00f4nica de uma produ\u00e7\u00e3o brasileira contempor\u00e2nea. Fundada em 1975, a orquestra mant\u00e9m uma programa\u00e7\u00e3o que combina o repert\u00f3rio cl\u00e1ssico com novas cria\u00e7\u00f5es e diferentes possibilidades de di\u00e1logo com a sociedade brasileira.<\/p>\n\n\n\n

No palco do Theatro Municipal, essa aproxima\u00e7\u00e3o assume uma dimens\u00e3o particularmente significativa. Ao utilizar uma forma\u00e7\u00e3o sinf\u00f4nica de grande escala para abordar a experi\u00eancia dos Guarani-Kaiow\u00e1, a obra leva ao centro de uma das principais institui\u00e7\u00f5es da m\u00fasica de concerto do pa\u00eds uma discuss\u00e3o que ultrapassa os limites da sala de espet\u00e1culos.<\/p>\n\n\n\n

Servi\u00e7o<\/strong><\/p>\n\n\n\n

R\u00e9quiem Guaran\u00ed-Ka\u00edow\u00e1, Op. 33<\/strong>
Orquestra Petrobras Sinf\u00f4nica
Reg\u00eancia: Felipe Prazeres
Data: 15 de setembro de 2026, ter\u00e7a-feira
Hor\u00e1rio: 19h
Local: Theatro Municipal do Rio de Janeiro
Endere\u00e7o: Pra\u00e7a Floriano, Rio de Janeiro
Dura\u00e7\u00e3o aproximada: 70 minutos
Classifica\u00e7\u00e3o: livre.<\/p>\n

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A m\u00fasica de concerto brasileira abre espa\u00e7o para uma obra que transforma a tradi\u00e7\u00e3o do r\u00e9quiem em instrumento de mem\u00f3ria, den\u00fancia e reflex\u00e3o sobre os povos origin\u00e1rios. A Orquestra Petrobras Sinf\u00f4nica realiza, em 15 de setembro, no Theatro Municipal do Rio de Janeiro, a estreia mundial de \u201cR\u00e9quiem Guaran\u00ed-Ka\u00edow\u00e1, Op. 33\u201d, do compositor brasileiro Cyro […]<\/p>\n","protected":false},"author":1,"featured_media":2461,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[19],"tags":[],"class_list":["post-2460","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concertos"],"yoast_head":"\nOrquestra Petrobras Sinf\u00f4nica estreia R\u00e9quiem dedicado aos povos Guarani-Kaiow\u00e1 - InteraMusic<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revistainteirada.com\/interamusic\/2026\/09\/12\/orquestra-petrobras-sinfonica-estreia-requiem-dedicado-aos-povos-guarani-kaiowa\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Orquestra Petrobras Sinf\u00f4nica estreia R\u00e9quiem dedicado aos povos Guarani-Kaiow\u00e1 - InteraMusic\" \/>\n<meta property=\"og:description\" content=\"A m\u00fasica de concerto brasileira abre espa\u00e7o para uma obra que transforma a tradi\u00e7\u00e3o do r\u00e9quiem em instrumento de mem\u00f3ria, den\u00fancia e reflex\u00e3o sobre os povos origin\u00e1rios. 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